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Recovery Plan for Upland Species of the San Joaquin Valley, California Contents . womens nike free 50 tr fit 4 print training shoe
. Species accounts . Recovery . Stepdown . nike free babyschuhe strickanleitung
. References . Appendix

Recovery Plan for Upland Species of the San Joaquin Valley, California

5. Temblor Buckwheat ( Eriogonum temblorense )

Taxonomy .-- Temblor buckwheat was named Eriogonum temblorense by Howell and Twisselmann (1963) and is a member of the buckwheat family (Polygonaceae). The type specimen was collected by Twisselmann in Chico Martinez Canyon, in Kern County. The scientific name has remained unchanged since it was published, but various authors (Hoover 1970, Reveal 1989, Hickman 1993, Skinner and Pavlik 1994, Skinner et al. 1995) have speculated that Temblor buckwheat should be combined with Eastwoods buckwheat ( E. eastwoodianum ).


Description .-- The height of Temblor buckwheat ranges from 10 to 80 centimeters (4 to 30 inches) and varies with precipitation. The leaves occur primarily at the base of the plant and are densely covered with matted hairs on both surfaces. The appearance of individual plants of Temblor buckwheat may vary from spring to fall, with the blades rounded early in the year and more elliptical later (Hoover 1970). The branches, which are elongated and spreading, bear flowers only at their tips, where several 2-millimeter (0.08-inch) long, white flowers are clustered inside a cup-like structure. Temblor buckwheat is differentiated from Eastwoods buckwheat and another closely related species, Idria buckwheat ( E. vestitum ), by the placement of the leaves and the size and surface texture of certain flower parts (Reveal 1989, Hickman 1993). However, the spring form of Temblor buckwheat closely resembles Eastwoods buckwheat (Hoover 1970).


Historical Distribution .-- The range of Temblor buckwheat apparently always has been restricted. The historical distribution is based on 19 collections, which are lustered in eight areas of the inner Coast Ranges: Chico Martinez Canyon and the Shale Hills in Kern County; Indian Valley, Parkfield Grade, and Stone Canyon in Monterey County; and Polonio Pass, Cottonwood Pass, and the Shandon area in San Luis Obispo County (Twisselmann 1967, Hoover 1970, CDFG 1995).

Curious visitors who turn left off the Harvard Art Museums’ elevators on the building’s fourth floor are greeted by the Forbes Pigment Collection, a floor-to-ceiling wall of color compiled from about 1910 to 1944 by the former director of the Fogg Museum.

Stephanie Mitchell, Harvard Staff Photographer

By Colleen Walsh Harvard Staff Writer

Colleen Walsh


As brilliant as any of the works in the Harvard Art Museums ’ galleries is a rainbow of small glass jars on the building’s fourth floor.

Curious visitors who turn left exiting the museums’ elevators will see the Forbes Pigment Collection, a floor-to-ceiling wall of color compiled between about 1910 and 1944 by the director of the Fogg Art Museum.

“In thinking about the role of a university museum, he was the first to conceive of it as ‘a laboratory for the fine arts,’ ” noted research curator Francesca Bewer in her book “A Laboratory for Art: Harvard’s Fogg Museum and the Emergence of Conservation in America, 1900–1950.”

Edward Forbes’ fascination with a painting’s colors and their binding medium — a close inspection of which could help to determine a work’s authenticity — fueled his desire to use science to understand and study great works of art. He is often cited as the father of the field of art conservation in the United States.

By the 1920s, Forbes had amassed containers of deep blues, rich purples, vibrant yellows, and myriad other colors from his travels to Europe and the Far East. Through the years, word of mouth helped the collection to grow as other art lovers and experts donated their own pigments. The museums’ collection, which is continually added to, now contains more than 2,500 samples and is renowned in the art community. For years, the pigments have helped art experts to research and authenticate paintings. Samples from the collection have been sent to the J. Paul Getty Museum, the Library of Congress, the Asian Art Museum of San Francisco, and the National Research Laboratory for Conservation of New Delhi, India.

In Cambridge, Forbes’ legacy thrives in the museums’ Straus Center for Conservation and Technical Studies, where experts preserve masterworks for future generations and decipher the chemical makeup of paint and pottery glaze. In addition to being their own artworks, Forbes’ pigments are a window to the past, shedding light on the working methods and preferred materials of renowned artists. Studying the pigments also reveals the effort it took, in the days before synthetic pigments, to get colors just right.

The Content Control Utility (CCU) API provides a programmatic interface for you to purge edge content. In this version, you can purge by URL, by Content Provider (CP) code, or cache tag.

For users of the legacy Content Control Utility REST API , this API leverages the Fast Purge Utility via Luna authentication. The Luna Control Center provides a graphical interface to the Fast Purge Utility for content administrators.

This guide details the most recent version 3 of the Fast Purge API, which uses Fast Purge versus queue-based processing. For queue-based processing, see the Content Control Utility API v2 .

For more information about Fast Purge, see air jordan retro 1 high ogunclecurtis

The Fast Purge API is a simple API that automates content purge requests. Support for Fast Purge in the current version allows developers and architects to purge edge content by URL, CP code, or cache tag within approximately five seconds.

For more information on content control using TTL (Time to Live) methods, refer to Time to Live (TTL) in Cache: Methods and Considerations .

To get started with this API:

Review the API Introduction section on available tools.

Review API Provisioning to create your API access credentials and authorizations. When creating, adding, and naming clients for API access, do so under Fast Purge APIs, not Luna APIs. Note that you can select all CP codes when configuring your API credentials. This means all current and future CP codes on the current contract, not all CP codes on the account.

Get help from our developer community or Technical Support, and provide feedback. You can also contact your account representative for support. We want to hear from you!

This section describes the conceptual objects you deal with when interacting with this API, and provides pointers to where you can learn more.

Fast Purge : The Fast Purge utility completes purge requests within approximately five seconds. Fast Purge supports requests to invalidate or delete URLs and CP codes on Akamai Staging and Production networks. It will eventually support all purge methods.

Fast Purge

Invalidation : Content invalidation, or refresh request, is the default purge action in most cases. An invalidation purge action causes Akamai edge servers to send an If-Modified-Since (IMS) request to the origin on subsequent requests for invalidated content. If the timestamp of the object at the origin is more recent than the one in cache, the latter is replaced by the new object from the origin. Otherwise, it is re-validated for the duration of the TTL. If an object does not have a Last-Modified header, a regular GET request is sent to origin.

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