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Morose (self titled album)

Morose Seattle, Washington

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This is my second take on the Steve Reich “Clapping Music” rendition as a scene in Teletype. I thought that I could post it as a form of “tutorial” explaining each component of the scene, which consists of only 3 scripts, and one pattern.

HARDWARE: Connect external clock to INPUT 1 (which will execute script 1 on each trigger) Connect trigger OUTPUT A to INPUT 2 (which will execute script 2 on each trigger) Connect trigger OUTPUT B to a VCA or your percussive sound generator Connect trigger OUTPUT C to a VCA or your percussive sound generator

PATTERN: I set up the pattern as 24 steps, which is an equivalent of two identical bars from the “Clapping Music” (see here: nike roshe dark grey womens
) You will see that steps 0-11 are the same as steps 12-23. I set this up this way so that I can use the same pattern for the two sequences that constitute the composition. (Short explanation of the structure of the piece is that one sequence repeats the same bar consistently, while the other shifts forward by one step until it reaches the full cycle of 12 shifts and begins to play the same sequence as sequence 1, and the cycle begins again. Here is a visual representation of the two cycling patterns as two rotating discs: air jordan 7 original colors for 63

SCRIPT I: This is the “Initializing” script that is automatically executed when the scene is loaded. essentially set up as a “starting point” or a kind of reset for the piece. This can be manually executed by pressing the “widows” + I on the keyboard at any time to restart the piece.

P.N 0 — tells the teletype to work with Pattern 0 (first column on the left in TRACKER mode) P.L 24 — sets the length of the sequence at 24 steps Y -1 — sets variable Y to -1 (so that when the script 1 is executed for the first time it will set it to 0, and read the first step of the sequence Z 0 — sets variable Z to 0

P.N 0 P.L 24

SCRIPT 1: Most of what happens in this script is two counters (Y and Z) that are advancing the steps in the two sequences.

Y ADD Y 1 — using the ADD arithmetic operator it simply adds 1 to whatever the current Y count is, each time this script is executed, which is every time it receives the external clock trigger on INPUT 1. IF EQ Y 12 : Z ADD Z 1 — an IF modifier checks whether the Y count had reached number 12, and IF it did, it advances the count of variable Z by adding 1 to it’s current count. So, each time a complete sequence of 12 steps is counted on Y, it advances Z by 1. IF EQ Y 12 : Y 0 — and, when the count of Y reaches 12, it also resets Y back to 0. IF EQ Z 12 : Z 0 — and the same for variable Z: if it reaches 12, it is reset back to 0. TR.PULSE 1 — sends a pulse out of trigger OUTPUT 1 which is connected (self-patched) to INPUT 2 on teletype. (This is basically my way of extending this script beyond the 6 lines limit. The content of SCRPT 2 could have easily been sitting in SCRIPT 1.) T PN 0 Y — sets up variable T which is set to either a 1 or a 0. Using the PN command, it looks at pattern 0, and checks the index position Y (which is a continuous count from 0 to 11).

a function is nullipotent if not calling it at all has the same side effects as calling it once or more

Here’s a list of the most commonly used HTTP methods and whether they are idempotent and/or safe as defined by the contract:

Idempotency and safety (nullipotentcy) are guarantees that server applications make to their clients and the world. It is a contract defined by the HTTP standard that developers must adhere to when implementing RESTful APIs over HTTP. An operation doesn’t automatically become idempotent or safe just because it is invoked using the GET method, if it isn’t implemented in an idempotent manner. A poorly written server application might use GET methods to update a record in the database or to send a message to a friend (I have seen applications that do this.) This is a really, really bad design.

contract defined by the HTTP standard that developers must adhere to automatically become idempotent

Adhering to the idempotency and safety contract helps make an API fault-tolerant and robust . Clients, middleware applications and various servers that requests pass through before reaching your application, use this contract for various optimizations . Clients may automatically cancel a GET request if it is taking too long to process and repeat it because they assume it has the same effect (since GET is idempotent). However, they won’t do the same thing for POST requests because the first one may have already altered some state on the server side. This is the reason why web browsers display a warning message that you are about to re-submit a form when you hit the back button to go to a form (For this reason, always redirect after a successful POST operation.) In the same veins, cache servers don’t cache POST requests and safe methods can pre-fetched to stored in cache to enhance performance.

Adhering to the idempotency and safety contract helps make an API fault-tolerant and robust use this contract for various optimizations

In summary, when building RESTful applications using HTTP, it is important to implement HTTP methods in a manner that satisfies their idempotency and safety contract, because clients and intermediaries are free to use this contract to optimize and enhance the user experience . Don’t use GET method for operations that alter the database and don’t use POST to retrieve information ( buy nike roshe run sneakerboot

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